Portrait of Madame Brunet
This portrait's bold brushwork, stark contrasts of light and dark, and frank presentation of the sitter reflect Manet's early passion for seventeenth-century Spanish painting. Madame Brunet, the wife of a friend, rejected the painting on account of its perceived ugliness however, and the artist retained it in his studio. He eventually cut off the bottom portion of the canvas, reducing it to a three-quarter-length portrait, and displayed it in his one-man exhibition in Paris in 1867--a show of independence opposite the World's Fair.
c. 1860-63, The J. Paul Getty Museum, Los Angeles, USA